Mark Wahlberg and Paul Walter Hauser’s World Cup farce revives the spirit of mid-budget studio comedies, but Peter Farrelly’s latest mistakes noise, repetition, and celebrity presence for actual chemistry.
Antoine Fuqua’s long-awaited Michael Jackson biopic reduces one of pop music’s most complicated figures to a glossy impersonation stitched together from hit songs and approved mythology.
Marie Ségolène C. Brault built a practice around meals, bars, and radical hospitality, but the intimacy, cost, and expectations behind it reveal how difficult it is to sustain.
Mark Wahlberg and Paul Walter Hauser’s World Cup farce revives the spirit of mid-budget studio comedies, but Peter Farrelly’s latest mistakes noise, repetition, and celebrity presence for actual chemistry.
Antoine Fuqua’s long-awaited Michael Jackson biopic reduces one of pop music’s most complicated figures to a glossy impersonation stitched together from hit songs and approved mythology.
Marie Ségolène C. Brault built a practice around meals, bars, and radical hospitality, but the intimacy, cost, and expectations behind it reveal how difficult it is to sustain.