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The Main Media Inc. 2026

✦ Built By Field Office
    The Main

    Montreal's Cultural Directory

    Help us improve! Share your thoughts on how we can make your experience better.

    Leave feedback

    For partnerships and collaborations:

    partnerships@themain.com

    Content

    • Articles
    • Food & Drink
    • Arts & Culture
    • History Lesson
    • Bulletin
    • Events

    Guides

    • All Guides
    • Best Restaurants
    • Best Cafés
    • Best Bars
    • Best Brunch
    • Best Bakeries

    Explore Montreal

    • Browse Directory
    • Restaurants
    • Bars
    • Cafés
    • Bookstores
    • Leaderboard
    • Editor's Picks
    • New Places

    About

    • About us
    • Subscribe
    • Shop
    • Advertise
    • Pitch us
    • RSS Feed

    Legal

    • Terms of service
    • Membership Terms
    • Privacy Policy
    Follow us
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    The Main Media Inc. 2026

    ✦ Built By Field Office
      --°C|Saturday, April 18, 2026|
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      --°C|Saturday, April 18, 2026|
      Subscribe today to get 3 free articles per month.ROYALMOUNT Wants to Be Your Dining Destination for a Whole MonthGet 50% off your first 5 rides with Lyft
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      |
      Advertise
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      Arts & CultureFood & DrinkHistoryCity Guides
      Explore
      Popular Guides
      • The Best Restaurants in Montreal
      • Best new Restaurants
      • Best Cafés
      • Unique Boutiques
      • Romantic Restaurants
      • Best Bookstores
      • See all Guides
      Neighbourhood
      • Downtown
      • Le Plateau-Mont-Royal
      • Mile End
      • Mile-Ex
      • Saint-Henri
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      • Jarry
      • View all
      More
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      • Beyond Montreal

        Travel, adventure, and global perspectives.

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        Stories, lessons, and context.

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      Inspired by the 1949 British classic Kind Hearts and Coronets, How To Make A Killing follows Becket Redfellow (Glen Powell), a blue-collar outsider who was disowned at birth by his ultra-wealthy family. A long list of relatives stands between him and a $28 billion inheritance, and Becket’s solution is simple and deadly.

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      The premise promises social commentary and twisted dark humour, and at its best, the film delivers that. The pacing rarely drags, each family “accident” is wicked, and the laughs land more often than they miss. There’s a confidence to the way director John Patton Ford keeps the action and story moving forward, even when his script hesitates to do so. The film understands momentum, but doesn’t always trust its own bite.

      Free account required

      For readers who care about Montreal

      Create a free account to read this story and access 3 articles per month, plus our weekly Bulletin.

      Independent. Local. Reader-supported.

      or

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