Before taking the stage in Montreal, Cleese reflects on death, the social value of comedy and a 50-year-old ending he never found funny.
Jay Baruchel plays Saint-Henri daredevil Ken Carter in Michael Dowse’s brisk biopic about the man who dreamed of jumping the St. Lawrence in a rocket-powered car.
Gorgeous Alaskan scenery and a dog who outshines Brad Pitt can’t quite sustain a survival story that keeps repeating itself.
The Gallagher brothers are back on stage, but the most revealing moments in ‘Don’t Look Back in Anger’ happen away from them.
Apple TV’s Cold War action comedy finds unexpected warmth, one enormous laugh and a compelling reason it belonged in theatres.
Starring Hannah Einbinder and Gillian Anderson, Jane Schoenbrun’s funny, bloody new film finds something unsettling beneath all that analysis.
The director reminds us that the most compelling stories aren't always about how legends are made, but the moments when nobody knows they're becoming one.
After an uneven first half, Christopher Nolan’s Homer adaptation finds its rhythm and delivers a monumental big-screen spectacle.
Ahead of his latest Montreal appearance, the comedian discusses identity, audience-building, and the stories that finally changed his career.
Tom Murphy is leaving Montreal on a career high, but not without one more Just For Laughs victory lap.
Boots Riley turns a luxury-fashion caper into a sharp, hilarious critique of consumer culture, status, and the absurdity of modern capitalism.
With New Blood and The Legend of Rory Shayne now on Crave, Nick Rose and Lewis Cohen talk kingpins, bank robbers, and why Montreal can't let go of its outlaws.
