Palomosa's stated mission is to "bring Internet culture into the physical world" since its first edition in 2024 at Parc Jean-Drapeau, something that bigger summer fixtures don't always bother with: programming that speaks directly to a generation that grew up on SoundCloud, Drain Gang, and PC Music, while still pulling in older listeners who remember when artists were indie darlings and not algorithm legends.
Past editions brought M.I.A., Gesaffelstein, Arca, Yung Lean, and Jai Paul to the island. The 2026 lineup continues that logic, but also marks a calendar shift.
After two September editions, Palomosa moves to May 14–16, positioning itself as the city's official summer opener. Osheaga and LASSO largely own August at the same venue, which puts Palomosa as the prospector staking a claim on the front end of the season.
Let’s dig into what’s happening this year.
Thursday, May 14: The Block Party
- Scène Banque Nationale, 5pm
- General admission from $17.60
The festival opens not with a headliner but with a party, which tells you something about the instincts behind it.
Also of note: Thursday is the value play. At prices starting from $17.60, it's the cheapest night of the festival, and a block party format with Chippy Nonstop and Tommy Holohan is not a throwaway opener.
What you get is a block party helmed by Dublin techno fixture Tommy Holohan and X-Coast, the Montreal DJ and Deejay Academy founder whose collective has become a reliable incubator for the city's club talent. Chippy Nonstop rounds out the night, and Cirque Cosmic provides whatever spectacle the occasion calls for.
No VIP section, no bottle service, just a straightforward opening salvo on the Banque Nationale stage from 5pm onward.
Friday, May 15: MGMT
- Scène Fizz + Scène Banque Nationale, 4pm
- General admission from $63.20
The headline act for Friday is MGMT performing a DJ set which is, depending on who you ask, either a fun formal conceit or a genuine sign that the duo's viral resurgence on social media has opened up new ways of thinking about their own catalogue. The New York duo who made "Kids" and "Electric Feel" have spent the past few years being rediscovered by an audience that wasn't alive when those songs came out, and the Fizz Stage is the right place to watch that play out.
As for the rest of the Fizz Stage card: Xaviersobased, the 22-year-old New York rapper credited with helping pioneer the jerk microgenre, dropped his debut album Xavier in January and brings a chaotic, layered sound that has earned him serious critical attention.
POiSON GiRL FRiEND and ear offer lo-fi and experimental textures on either side of him; Montreal's own Ouri, a classically trained harpist and cellist who moved to the city at 16 to make electronic music and has since earned a Polaris longlist nod, plays to prove the city still produces world-class artists working at the intersection of composition and club culture.
Vancouver's Sophia Stel, one of NME's 100 Essential Emerging Artists of 2025, closes the circuit between alternative pop and rave energy with a directness that's become her calling card.
Over on the Banque Nationale stage, Hannah Diamond headlines a lineup that amounts to a near-complete survey of the PC Music and adjacent scenes. Diamond has recorded on A.G. Cook's label since 2013, building a body of work that blends hyperreality pop with a visual art practice that has shaped the aesthetic of an entire subculture.
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