As margins shrink, succession fades, and chains tighten their grip, the traditional dep model is eroding—and that's pushing new owners to find different ways to survive.

Robert Aramayo's BAFTA-winning performance anchors a film that walks the line between comedy and heartbreak without tumbling down.

Across the city, community-run workshops are lowering the cost of repairs, teaching riders how to fix their own bikes, and opening cycling to a wider public.

At 325 F, Bryan Rajarison cooks from memory, family, and a cuisine that rarely travels this far.

A sold-out crowd, a Habs dedication, and a Scottish singer-songwriter happy to be back.

A global ranking places Café Pista, Café Saint-Henri, Micro Espresso, and Café Eclair among the continent’s top 100, judged on quality, experience, and community impact.

Deux Huit Huit's new identity for Cinema Beaubien, Cinéma du Parc, and Cinéma du Musée starts with a name that was always there.

With a glass facade and a new mandate, Montreal’s contemporary art museum is opening itself up both physically and philosophically.

After bankruptcy put the agency behind it at risk, Multicolore has acquired LNDMRK to ensure the festival continues, with no layoffs planned.

Inside the Wings Collection: 130 years of Sino-Montréal life, rescued from a noodle factory's attic before it could disappear.

How 3 Femmes et 1 Coussin's Plateau tableware studio became a secret weapon of Montreal's restaurant industry.

A sold-out crowd, a full band with brass and strings, and close to two hours of jazz, soul, and pop.

The Montreal brand was insolvent a year ago. New owners have acquired the name, ditched the stores, and are betting the audience never left.

The Bulletin is a collection of what's happened, what’s happening, and what’s to come in and around Montreal.

Good Luck, Have Fun, Don't Die both comments on and replicates technological overload in this unhinged sci-fi comedy about an AI gone rogue.

Thirty-five years of tailoring desire.

As margins shrink, succession fades, and chains tighten their grip, the traditional dep model is eroding—and that's pushing new owners to find different ways to survive.

Robert Aramayo's BAFTA-winning performance anchors a film that walks the line between comedy and heartbreak without tumbling down.

Across the city, community-run workshops are lowering the cost of repairs, teaching riders how to fix their own bikes, and opening cycling to a wider public.

At 325 F, Bryan Rajarison cooks from memory, family, and a cuisine that rarely travels this far.

A sold-out crowd, a Habs dedication, and a Scottish singer-songwriter happy to be back.

A global ranking places Café Pista, Café Saint-Henri, Micro Espresso, and Café Eclair among the continent’s top 100, judged on quality, experience, and community impact.

Deux Huit Huit's new identity for Cinema Beaubien, Cinéma du Parc, and Cinéma du Musée starts with a name that was always there.

With a glass facade and a new mandate, Montreal’s contemporary art museum is opening itself up both physically and philosophically.

After bankruptcy put the agency behind it at risk, Multicolore has acquired LNDMRK to ensure the festival continues, with no layoffs planned.

Inside the Wings Collection: 130 years of Sino-Montréal life, rescued from a noodle factory's attic before it could disappear.

How 3 Femmes et 1 Coussin's Plateau tableware studio became a secret weapon of Montreal's restaurant industry.

A sold-out crowd, a full band with brass and strings, and close to two hours of jazz, soul, and pop.

The Montreal brand was insolvent a year ago. New owners have acquired the name, ditched the stores, and are betting the audience never left.

The Bulletin is a collection of what's happened, what’s happening, and what’s to come in and around Montreal.

Good Luck, Have Fun, Don't Die both comments on and replicates technological overload in this unhinged sci-fi comedy about an AI gone rogue.

Thirty-five years of tailoring desire.