Fresh product from the Townships, wood-fired pizza, donuts, music 'n' booze, and the first copies of our new magazine in the hands of Montrealers.
The marathon, a river-side disco party, a petting farm, and more: October 8 to 11, 2026
For decades, the conversation around independent bookstores has centred on survival, but there's a different reality on the ground in Milton Park.
Claudia Fancello brings a performer’s ease and generations of know-how to the kitchen window and counter of neighbourhood institution's small culinary stage.
Nouvelle idée founder Justin Daoust unpacks what the parties’ design choices say about them, revealing one clear standout and plenty of missed opportunities.
Housing, healthcare, and making ends meet are top of mind for these locals heading to the polls—all with little confidence those concerns will be heard.
A Grateful Dead tribute, a fetish mass in a former church, a psychedelic circus until 8 a.m., and more: This is Montreal on All Hallows' Eve, October 31.
More than 100 recipes, two languages, and three years of explaining its kitchen and its city: Mon Lapin’s first cookbook took some translating.
The Bulletin is a collection of what's happened, what’s happening, and what’s to come in and around Montreal.
On the National Day for Truth and Reconciliation, a Kanien'kehá:ka scholar asks Montrealers to confront what they think they already know.
Four generations of the Blatter family kept the craft of handmade pipes alive. Now, dwindling demand and difficulty sourcing tobacco are bringing that work to an end.
Canada’s responsibility to residential school survivors includes the support to heal, reclaim their languages and cultures, and decide how they want to live.
Our special edition in print follows the people who feed, Montreal through the harvest, and what it takes to make the peak last all year.
Before taking the stage in Montreal, Cleese reflects on death, the social value of comedy and a 50-year-old ending he never found funny.
Jay Baruchel plays Saint-Henri daredevil Ken Carter in Michael Dowse’s brisk biopic about the man who dreamed of jumping the St. Lawrence in a rocket-powered car.
Readers haven’t given up on magazines, but giving print a future means rethinking the business built around it.