From three jazz centennials to J Dilla, Willow, and UZEB at 50, the 2026 festival's best bets across free stages and ticketed venues.

Vince Vaughn plays two versions of the same gangster, and that's barely the wildest thing about it.

The Cloakroom founder on value over flash, the scene's missing middle, and what Montreal's bar culture still needs to figure out.

Group Society and Laurier Capital just acquired the 137-year-old heritage building from Cadillac Fairview for $62 million.

From art fairs and film festivals to vinyl digs, clowns, and Roman emperors.

The return of the Expos is more viable than ever, but whether Montreal has the appetite for it is another question entirely.

Dull architecture has a real cost, and Montreal is paying it.

The Bulletin is a collection of what's happened, what’s happening, and what’s to come in and around Montreal.

The upcoming MET terminal in Saint-Hubert opens June 15, 2026—and it's bringing Porter Airlines, coast-to-coast routes, and a much easier way out of the city.

Years of tavernas, bouzouki nights, and freddo coffee joints have left traces that remain to this day.

Hope isn’t a quality most blockbusters lean on anymore. Project Hail Mary builds an entire mission around it, and against all odds, it works.

Keaton Ritchie of Flor Vin was on the banks of the Loire last week. Today he's hauling bottles through the slush.

Lea Berger missed the folding biergarten tables of her German childhood. A decade later, they're at every great bar in Montreal, shipped in from Stuttgart.

The Montreal brand was insolvent a year ago. New owners have acquired the name, ditched the stores, and are betting the audience never left.

The Bulletin is a collection of what's happened, what’s happening, and what’s to come in and around Montreal.

Good Luck, Have Fun, Don't Die both comments on and replicates technological overload in this unhinged sci-fi comedy about an AI gone rogue.

From three jazz centennials to J Dilla, Willow, and UZEB at 50, the 2026 festival's best bets across free stages and ticketed venues.

Vince Vaughn plays two versions of the same gangster, and that's barely the wildest thing about it.

The Cloakroom founder on value over flash, the scene's missing middle, and what Montreal's bar culture still needs to figure out.

Group Society and Laurier Capital just acquired the 137-year-old heritage building from Cadillac Fairview for $62 million.

From art fairs and film festivals to vinyl digs, clowns, and Roman emperors.

The return of the Expos is more viable than ever, but whether Montreal has the appetite for it is another question entirely.

Dull architecture has a real cost, and Montreal is paying it.

The Bulletin is a collection of what's happened, what’s happening, and what’s to come in and around Montreal.

The upcoming MET terminal in Saint-Hubert opens June 15, 2026—and it's bringing Porter Airlines, coast-to-coast routes, and a much easier way out of the city.

Years of tavernas, bouzouki nights, and freddo coffee joints have left traces that remain to this day.

Hope isn’t a quality most blockbusters lean on anymore. Project Hail Mary builds an entire mission around it, and against all odds, it works.

Keaton Ritchie of Flor Vin was on the banks of the Loire last week. Today he's hauling bottles through the slush.

Lea Berger missed the folding biergarten tables of her German childhood. A decade later, they're at every great bar in Montreal, shipped in from Stuttgart.

The Montreal brand was insolvent a year ago. New owners have acquired the name, ditched the stores, and are betting the audience never left.

The Bulletin is a collection of what's happened, what’s happening, and what’s to come in and around Montreal.

Good Luck, Have Fun, Don't Die both comments on and replicates technological overload in this unhinged sci-fi comedy about an AI gone rogue.