Opened unfinished and deep in debt in 1893, the Monument-National went on to host Yiddish theatre, Chinese opera, public education, and generations of performers.

Decades of research, and Montreal’s own livelier squares, show that the difference between empty concrete and public life can be as simple as a chair.

The Bulletin is a collection of what's happened, what’s happening, and what’s to come in and around Montreal.

The cure for end-of-summer sadness: burgers, ferments, projections, and a lot more country culture than you'd expect.

Montreal finally has a second airport, and it works... So why doesn't it look like Montreal?

Looking back on a country crowd over two days at Parc Jean-Drapeau.

Waterfalls, ridgelines, and city-limit summits — our guide to hitting the trails near Montreal.

Philippe Charlebois-Gomez turns Expo 67 streetlamps, fan guards and ski poles into handcrafted fixtures. Now he’s asking whether a studio built on one-offs can become a system.

Ahead of MUTEK, four Quebec studios open up about what built the province's digital arts scene—and why the world might be noticing before Montreal does.

On the origins of Expo’s grand humanist theme, and how it lived on for 17 strange summers after the fair ended.

The Bulletin is a collection of what's happened, what’s happening, and what’s to come in and around Montreal.

If its surrounding rivers are clean enough to swim in, why does Montreal offer so few places to swim, eat or linger by the water?

For his first leading role, Sessa plays Bourdain before the fame by bringing curiosity—not nostalgia—to the part.

Montreal plans to bring the Village’s rainbow balls back in 2030, reviving an installation its late creator chose to retire alongside a debate he never quite settled.

Owner Jeremy Anderson calls himself a steward rather than a creator, and likens the room to a reforestation project: build the right conditions, and the culture grows back.

The case for staying in a city that doesn't work.

Opened unfinished and deep in debt in 1893, the Monument-National went on to host Yiddish theatre, Chinese opera, public education, and generations of performers.

Decades of research, and Montreal’s own livelier squares, show that the difference between empty concrete and public life can be as simple as a chair.

The Bulletin is a collection of what's happened, what’s happening, and what’s to come in and around Montreal.

The cure for end-of-summer sadness: burgers, ferments, projections, and a lot more country culture than you'd expect.

Montreal finally has a second airport, and it works... So why doesn't it look like Montreal?

Looking back on a country crowd over two days at Parc Jean-Drapeau.

Waterfalls, ridgelines, and city-limit summits — our guide to hitting the trails near Montreal.

Philippe Charlebois-Gomez turns Expo 67 streetlamps, fan guards and ski poles into handcrafted fixtures. Now he’s asking whether a studio built on one-offs can become a system.

Ahead of MUTEK, four Quebec studios open up about what built the province's digital arts scene—and why the world might be noticing before Montreal does.

On the origins of Expo’s grand humanist theme, and how it lived on for 17 strange summers after the fair ended.

The Bulletin is a collection of what's happened, what’s happening, and what’s to come in and around Montreal.

If its surrounding rivers are clean enough to swim in, why does Montreal offer so few places to swim, eat or linger by the water?

For his first leading role, Sessa plays Bourdain before the fame by bringing curiosity—not nostalgia—to the part.

Montreal plans to bring the Village’s rainbow balls back in 2030, reviving an installation its late creator chose to retire alongside a debate he never quite settled.

Owner Jeremy Anderson calls himself a steward rather than a creator, and likens the room to a reforestation project: build the right conditions, and the culture grows back.

The case for staying in a city that doesn't work.