If you exit the Green Line at Montreal’s Berri-UQAM station and descend, the gate awaits: An entrance to the Yellow Line, a subterranean maw where a great slab of a sign remains reading ‘Expo 67: Terre des Hommes’ or ‘Man and His World’ in equally sized lettering below it (a relic from before Quebec’s modern language laws).
This ‘theme’, for lack of a better term, dates back to sometime in the early 1960s when Claude Robillard, a man running Montreal's planning department, delivered a verdict on what a world's fair should be: The era of exhibitions built around the newest screwdriver was finished, he said, and it was time to put the emphasis on people instead of their inventions.
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