Arts & Culture

The Montreal photographer has built an archive around a recurring impulse: preserving what may soon be gone.

Arts & Culture

End-of-summer bashes, open-air roller disco, over 200 corgis on the Main, and more: September 3 to 6, 2026

Arts & Culture

Starring Hannah Einbinder and Gillian Anderson, Jane Schoenbrun’s funny, bloody new film finds something unsettling beneath all that analysis.

Arts & Culture

Former dancer Bennett Tracz has built with little more than sustainable yarn, wearable projects, and a belief in making things by hand over hustle culture.

Arts & Culture

In Black Aces, the sports journalist profiles the players who broke through while asking why racism and cost still shape who gets to play.

Arts & Culture

The cure for end-of-summer sadness: burgers, ferments, projections, and a lot more country culture than you'd expect.

Arts & Culture

The Montreal photographer has built an archive around a recurring impulse: preserving what may soon be gone.

Arts & Culture

End-of-summer bashes, open-air roller disco, over 200 corgis on the Main, and more: September 3 to 6, 2026

Arts & Culture

Starring Hannah Einbinder and Gillian Anderson, Jane Schoenbrun’s funny, bloody new film finds something unsettling beneath all that analysis.

Arts & Culture

Former dancer Bennett Tracz has built with little more than sustainable yarn, wearable projects, and a belief in making things by hand over hustle culture.

Arts & Culture

In Black Aces, the sports journalist profiles the players who broke through while asking why racism and cost still shape who gets to play.

Arts & Culture

The cure for end-of-summer sadness: burgers, ferments, projections, and a lot more country culture than you'd expect.

Arts & Culture

The director reminds us that the most compelling stories aren't always about how legends are made, but the moments when nobody knows they're becoming one.

Arts & Culture

After 20 Years of Recording Montreal, Breakglass Has a Label to Call Its Own

After decades of recording artists like Wolf Parade, Patrick Watson, and Kaytranada, Breakglass Studios launches its first imprint with a thirteen-artist roster.

Arts & Culture

Getting it there has meant fights over creative freedom, public money, rigorous juries and years spent excavating the city’s forgotten histories.

Arts & Culture

The Immigrant Family Who Inherited a Neighbourhood

When Richard and Shuping Guo bought Hochelaga's Dépanneur Populaire in 2001, they got more than a corner store. Their daughter Angelina's new book tells the rest of the story.

Arts & Culture

For his first leading role, Sessa plays Bourdain before the fame by bringing curiosity—not nostalgia—to the part.

Arts & Culture

Jerry Seinfeld and Weird Al Yankovic Lead Just for Laughs’ First 2026 Reveal

The festival’s first wave mixes legacy acts, internet-era names, and a familiar attempt to prove Montreal’s comedy institution is firmly back on its feet.

Arts & Culture

The director reminds us that the most compelling stories aren't always about how legends are made, but the moments when nobody knows they're becoming one.

Arts & Culture

After 20 Years of Recording Montreal, Breakglass Has a Label to Call Its Own

After decades of recording artists like Wolf Parade, Patrick Watson, and Kaytranada, Breakglass Studios launches its first imprint with a thirteen-artist roster.

Arts & Culture

Getting it there has meant fights over creative freedom, public money, rigorous juries and years spent excavating the city’s forgotten histories.

Arts & Culture

The Immigrant Family Who Inherited a Neighbourhood

When Richard and Shuping Guo bought Hochelaga's Dépanneur Populaire in 2001, they got more than a corner store. Their daughter Angelina's new book tells the rest of the story.

Arts & Culture

For his first leading role, Sessa plays Bourdain before the fame by bringing curiosity—not nostalgia—to the part.

Arts & Culture

Jerry Seinfeld and Weird Al Yankovic Lead Just for Laughs’ First 2026 Reveal

The festival’s first wave mixes legacy acts, internet-era names, and a familiar attempt to prove Montreal’s comedy institution is firmly back on its feet.