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The Main Media Inc. 2026

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    The Main

    Répertoire culturel de Montréal

    Aidez-nous à nous améliorer ! Partagez vos idées sur la façon dont nous pouvons améliorer votre expérience.

    Laisser un commentaire

    Pour les partenariats et collaborations :

    partnerships@themain.com

    Contenu

    • Articles
    • Gastronomie
    • Arts et culture
    • Leçon d'histoire
    • Bulletin
    • Événements

    Guides

    • Tous les guides
    • Meilleurs restaurants
    • Meilleurs cafés
    • Meilleurs bars
    • Meilleurs brunchs
    • Meilleures boulangeries

    Explorer Montréal

    • Parcourir le répertoire
    • Restaurants
    • Bars
    • Cafés
    • Librairies

    À propos

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      • Au-delà de Montréal

        Voyages, aventures et regards sur le monde.

      • Design

        Le meilleur du design montréalais.

      • Manger & boire

        La bonne bouffe.

      • Histoire

        Histoires, leçons et contexte.

      • Infolettre

        Notre infolettre hebdomadaire.

      • Voir toutes les articles originales
      Explorez Montréal
      Guides populaires
      • Les meilleurs restaurants à Montréal
      • Meilleurs nouveaux restaurants
      • Meilleurs cafés
      • Boutiques uniques
      • Restaurants romantiques
      • Meilleures librairies
      • Voir tous les guides
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      • Downtown
      • Le Plateau-Mont-Royal
      • Mile End
      • Mile-Ex
      • Saint-Henri
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      This story originally appeared on Feburary 13, 2026 in URBANIA, an online magazine based in Quebec focused on pop culture and society.

      On Plaza Saint-Hubert, wedged between bridal boutiques and storefronts that stubbornly survive winter after winter, one façade still makes you slow down. You do not even have to step inside. It catches your eye. You hesitate. A sideways glance. Curious. Maybe a little guilty.

      Il Bolero.

      Today, clearance signs cover the windows. Retirement sale. After more than three decades of dressing fantasies, the curtain falls on a small factory of desire.

      Gianni Sardelli was barely in his thirties when he opened the shop. He had no money to spare. Everything he had went into it. “I was scared shitless,” he says now, smiling at the memory from behind the same counter.

      Free account required

      Pour ceux qui ont Montréal à cœur

      Créez un compte gratuit pour lire cet article et accéder à 3 articles par mois, ainsi qu'à notre Bulletin hebdomadaire.

      Indépendant. Local. Soutenu par ses lecteurs.

      ou

      Déjà membre? Se connecter

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      The Most Predictable Oscars in Years Were Still Pretty Damn Good

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      The Most Predictable Oscars in Years Were Still Pretty Damn Good

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      The Most Predictable Oscars in Years Were Still Pretty Damn Good

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